Good day, ladies and gentlemen, and welcome to The Walt Disney Company's Fiscal Third Quarter 2019 Financial Results Conference Call. [Operator Instructions]. As a reminder, this conference call is being recorded. I would now like to turn the conference over to Lowell Singer, Senior Vice President of Investor Relations. You may begin..

Good afternoon, and welcome to The Walt Disney Company's Third Quarter 2019 Earnings Call. Our press release was issued about 25 minutes ago and is available on our website at www.disney.com/investors. Today's call is also being webcast, and a replay and transcript will also be available on our website.

Joining me for today's call are Bob Iger, Disney's Chairman and Chief Executive Officer; and Christine McCarthy, Senior Executive Vice President and Chief Financial Officer. Following comments from Bob and Christine, we will be happy to take your questions. So with that, I will turn the call over to Bob to get started..

Thanks, Lowell, and good afternoon, everyone. I've been doing earnings calls for a long time, and this is one of our more complicated ones. We certainly have a lot to cover and discuss. This is our first full quarter since we closed our acquisition of 21st Century Fox in March.

Now our results reflect our efforts to integrate the assets, businesses and talent we acquired in order to enhance and advance our strategic transformation.

Implementation of our integration plan is well underway, a complex process given the magnitude of the endeavor, and we remain confident in our ability to successfully execute our strategy to drive maximum value from the combined company, and our appreciation for the long-term value we can create has increased.

I'm going to ask Christine to take you through the numbers, and then I'll be back to provide some additional perspective that should give you greater insight into our bullish view of the future..

Galaxy's Edge at Disneyland and growth at merchandise licensing. So far this quarter, domestic resort reservations are pacing up 4% compared to prior year while book rates are up 3%.

At Media Networks, total affiliate revenue was up 20% in the third quarter and reflects the impact of the 21CF acquisition as well as underlying growth at our legacy Media Networks.

The increase in affiliate revenue was driven by 16 points of growth from the acquisition of 21CF and 8 points from higher rates, partially offset by a 2.5 point decline due to a decrease in subscribers.

At Broadcasting, lower programming expenses and higher affiliate revenue were more than offset by the impact of lower program sales and a decline in advertising revenue. Ad revenue was lower in the quarter as higher network rates were more than offset by lower viewership.

Quarter-to-date, prime time scatter pricing at the ABC Network is running 35% above upfront levels. ABC Studios faced a difficult year-over-year program sales comparison since Q3 results last year reflected the sale of Luke Cage and this quarter, we had lower sales of How to Get Away with Murder and Designated Survivor compared to last year.

Domestic cable results were up in the quarter due to the consolidation of the 21CF cable businesses and higher operating income at ESPN, partially offset by a decline at Freeform.

At ESPN, growth in operating income during the third quarter was due to higher advertising and affiliate revenue, partially offset by an increase in programming and production costs driven by contractual freight increases for MLB and NBA programming and new rights. ESPN's domestic linear advertising revenue was up 13% in the third quarter.

ESPN benefited from 2 extra NBA Finals games compared to last year. When you adjust for the mix and the total number of playoff games this year compared to last year, we estimate there was about an 8-point benefit to the year-over-year growth in advertising revenue.

So far this quarter, ESPN's domestic cash ad sales are pacing down compared to last year. Results at our Direct-to-Consumer & International segment reflect the consolidation of Hulu and ongoing investment at ESPN+ and Disney+.

Results at our direct-to-consumer businesses had an adverse impact on the year-over-year change in segment operating income of about $400 million. ESPN+ had a little over 2.4 million paid subscribers at the end of the third quarter, and Hulu had approximately 28 million paid subscribers. Now I'll turn to some thoughts about the fourth quarter.

We expect our Direct-to-Consumer & International segment to generate about $900 million in operating losses for the quarter, which represents an increase of about $560 million over the fourth quarter last year.

We expect the continued investment in our DTC services, including ESPN+ and Disney+, and the consolidation of Hulu to drive an adverse impact on the year-over-year change in segment operating income of our direct-to-consumer businesses of approximately $550 million, which is almost the entirety of the total segment change versus prior year.

At Media Networks, there were a few items I'd like to mention that we believe will cause segment operating income to decline by about 10% in the fourth quarter compared to prior year.

We expect that 21CF's television businesses to contribute about $200 million in operating income in the fourth quarter, with 2/3 of that contribution at Broadcasting and 1/3 at cable. We estimate 21CF's television businesses generated operating income of about $485 million in the fourth quarter last year.

The expected year-over-year decline is due to a combination of factors, including lower program sales and higher content development expense, which are both related in part to our ongoing investment in our direct-to-consumer businesses.

At ABC Studios, we expect a difficult program sales comparison given we sold two Marvel series, Daredevil and Iron Fist, during Q4 last year, and we don't expect comparable sales in Q4 this year.

At ESPN, we expect higher programming expenses driven by contractual rate increases and launch costs for the ACC Network and lower ad revenue to more than offset growth in affiliate revenue.

In aggregate, we estimate the acquisition of 21st Century Fox and the impact of taking full operational control of Hulu will have a dilutive impact on our Q4 earnings per share before purchase accounting of about $0.45 per share.

Despite these headwinds, we remain excited about the acquisition of 21CF and still expect the acquisition to be accretive to EPS before purchase accounting for fiscal 2021. And we also remain on track to realize over $2 billion in cost synergies by fiscal 2021. And with that, I'll now turn the call back over to Bob..

Endgame is now the highest grossing film in history with almost $2.8 billion worldwide. Captain Marvel, Aladdin and The Lion King have each surpassed $1 billion. And with more than $960 million in Box Office to date, Toy Story 4 will likely cross that threshold in the coming weeks. And all of these movies will be on Disney+ in the first year of launch.

The studio co-chairs behind this record-setting performance, Alan Horn and Alan Bergman, are now redefining 20th Century Fox's film strategy for the future, applying the same discipline and creative standards behind the success of Disney, Pixar, Marvel and Lucasfilm.

They're taking the Fox Studios in new direction, all new development slates will focus on a select group of high-quality movies for theatrical release as well as for our Hulu and Disney+ platforms. And Fox Searchlight will continue to make the prestige films it's known for while expanding its high-quality original storytelling into the DTC space.

We see great long-term value in the broad collection of theatrical IP we acquired from Fox, including iconic movie franchises such as Avatar and Planet of the Apes as well as Marvel's X-Men, the Fantastic Four and Deadpool, which are now part of Marvel Studios under the leadership of Kevin Feige, the architect of the Marvel cinematic universe, which now includes 23 movies with a global Box Office of more than $22 billion to date.

We're also focused on leveraging Fox's vast library of great titles to further enrich the content mix on our DTC platforms. For example, reimagining Home Alone, Night at the Museum, Cheaper by the Dozen and Diary of a Wimpy Kid for a new generation on Disney+.

As I said a few times, we analyzed the 21st Century Fox opportunity entirely through the lens of our future business, evaluating the long-term potential especially related to accelerating our transformation into the DTC space on a global basis.

As a result of the acquisition, we also now have full operational control of Hulu and a clear path to full ownership, providing another powerful platform for us to produce and distribute great content. Hulu will provide us with an excellent opportunity to leverage the capabilities of our television studios and brands, notably FX and ABC Television.

The deal also added Star and Hotstar to our portfolio of businesses, giving us a significant presence in India, which will soon become the most populous country in the world. It's a huge market with interesting dynamics notably, a rapidly rising middle class with a strong and growing appetite for media, especially sports.

To give you an idea of the value of this platform, last quarter, Hotstar had more than 300 million average monthly users, served an unprecedented 100 million daily users and delivered a high-quality streaming experience to 25.3 million simultaneous users, which is a new world record.

The platform's broad array of premium sports rights will serve it well over the next five years especially as we expand the service into markets across Southeast Asia.

At Walt Disney Television, the Fox acquisition brought us talented and experienced senior leadership who are now in place to produce much of the content we will rely on to implement our ambitious strategy.

The studio capabilities, production expertise and valuable relationships with the creative community will be vital to our DTC plans while also overseeing ABC, ABC News, our own television stations, FX, Freeform, the Disney Channel and Nat Geo.

National Geographic brings a strong global brand to our portfolio, along with world-class content for our television and DTC businesses. Disney+ will offer more than 600 hours of premium content from National Geographic at launch, along with almost 300 hours of family entertainment from the Fox Studios library.

Disney+ will ultimately become the exclusive streaming service for our vast library of movies and series, National Geographic content, all upcoming Disney, Pixar, Marvel and Star Wars movies and a robust slate of high-quality original programming from the creative engines that drive our entire company.

Regarding our suite of DTC services, I'm pleased to announce that in the United States, consumers will be able to subscribe to a bundle of Disney+, ESPN+ and ad-supported Hulu for $12.99 a month. The bundle will be available on our November 12 launch date. Before we take your questions, let me reiterate a few things.

Today, much of our focus is on integrating Fox's assets and leveraging them, along with our Disney businesses, to move quickly into the direct-to-consumer space. Nothing is more important to us than getting this right.

We remain confident in our strategy and our ability to successfully execute it, and as Christine noted, we still expect the acquisition to be accretive to EPS before purchase accounting for fiscal 2021. We're clearly bullish on our future for good reasons. And on that note, Christine and I will be happy to take your questions..

[Operator Instructions]. Our first question comes from Alexia Quadrani with JPMorgan..

Galaxy's Edge opening in Disneyland did versus your internal expectations and anything you learned from it in terms of the opening that you can sort of apply to Orlando's opening later this month?.

Galaxy's Edge front, to give you some color, I think a number of things happened. First of all, helped in part by some of our efforts, there was tremendous concern in the marketplace that there was going to be huge crowding when we open Galaxy’s Edge.

And so some people stayed away just because they expected that it would not be a great guest experience. The same time that was going on, all the local hotels in the region expecting a huge influx of visitation raised their prices. So it simply got more expensive to come stay in Anaheim. In addition to that, we raised our prices.

We brought our daily price up, so if you think about local visitation, we brought the price of a one day ticket up substantially from a year ago. And then we opened up Galaxy’s Edge with one attraction instead of two, the second attraction is going to open in January.

And so all of those factors contributed to attendance that was below what we would have hoped it would be. That said, guest satisfaction, interest in the attractions, in the land is extremely high. They're among the most popular thing at the Park.

And so long term, look, we build these things for the long term, we have no concerns whatsoever about them. We're opening Galaxy’s Edge in August in Orlando. The second attraction there will open in December. And as I said, the second attraction in Anaheim will open in January. So we feel great about the product that we've created.

It's just going to take some time for -- basically for things to work themselves out in terms of how the marketplace is reacting..

Alexia, I just want to put a little more granularity on the Disneyland results for the quarter. As I said, the attendance was down 3%, but the paid attendance was up in the quarter, and that lower attendance was primarily driven by the annual passholder visitation.

And when we look at the per cap spend across Disneyland all categories, they were up significantly year-over-year..

Our next question comes from Michael Nathanson with MoffettNathanson..

One for Bob and one for Christine. Bob, thanks for the update on the Hulu bundle. That's what we would have asked you. Another question on Hulu is any update on international rollout now that you have full control? That's one that people have been focused on. And then for Christine, I'm just confused a bit by what surprised you at Star.

Because those Cricket contracts were known, so was it something more about the performance of those contracts that -- in terms of the ratings of that contract that surprised you? Anything more on India would be helpful.

What disappointed you?.

We're not updating anything regarding Hulu internationally. Kevin Mayer and the team at Hulu are studying opportunities, along with our international team, market-by-market. Obviously, we have designs on growing Hulu outside of the United States but no update on that right now..

And on Star, Michael, it was the quadrennial Cricket World Cup, of course. They have their Indian Premier League, which is ongoing, but this is once every four years for the World Cup. There were a couple of significant games that were rained out. They have insurance coverage for some of those, but any proceeds would be in future periods.

And there was also some weakness in advertising revenue that was related to the local advertising market..

Our next question comes from Jessica Reif Ehrlich with Bank of America Merrill Lynch..

Just a couple of different questions. But could you talk a little bit about the marketing for Disney+? With the launch less than three months to get -- away, you've talked at the Analyst Day about having 90%-plus awareness.

Can you just -- I haven't seen marketing yet, so can you talk about the plan? Different topic but on all of the stuff that's going on in China as well as in Hong Kong, can you talk a little bit about -- or give us some color on what you're seeing in terms of impact on -- towards some of the parks and how it might be affecting pricing and future investment? And then one last kind of follow-up on the pricing.

You did increase prices unusually, I think just -- I'm not sure if it's just Disneyland.

Can you talk about how you're thinking about pricing going forward at the domestic parks?.

Galaxy's Edge was, but we do not feel that we have a pricing issue at our domestic parks. And that's reflected in basically not only current business but a fair amount of research that we've done..

Our next question comes from Ben Swinburne with Morgan Stanley..

Bob, as you get ready to launch Disney+, I'm wondering if you could update us on sort of the technical platform behind the product and kind of where that stands versus where it needs to be, scale a big business globally. And also your philosophy on distribution partnerships. You mentioned bundling Hulu and ESPN+ which certainly makes sense.

But there's a lot of companies, as you're well aware of, out there sort of selling in a digital native environment like Amazon and Apple and others, lots of services like these.

I'm just wondering if you could talk about your philosophy on utilizing those versus a pure direct-to-consumer business because those could certainly impact sort of how fast you get out of the gate. And then I just wanted to ask, Christine, you didn't mention the 21CF Television Studio, which I believe is in your broadcast segment.

That's a business that I think you would acknowledge has been performing quite well for a long time. Any sense for how that's doing or how that impacted the quarter would be appreciated..

Okay. On the second part of your question first, about basically digital distribution partners. At Investor Day, we announced that we had a few distribution partners. There are others out there, notably Apple and Amazon and Google, for instance, that we've been in discussions with about distribution.

You can expect that we will conclude deals with them as distribution partners. We think it's important for us to achieve scale relatively quickly, and they'll be an important part of that. Nothing to announce specifically, except we've had conversations with all of them. They're all interested in distributing the product.

On the tech side, we continue to look very carefully at the tech platform that we have. Obviously, we're using that platform for ESPN+. We continue to learn.

We think we're most focused on not how robust it is because we believe we have that already, but we're most focused on the onboarding experience and making sure that people who sign up as subscribers for the service do so with incredible ease.

We know how important it is to create a frictionless experience, and there's a lot of time being spent on that.

I want to also say even though it wasn't part of your question that as we're dealing with distribution opportunities as well as what we just talked about, which is the tech and the sign-on or the onboarding side, there's a huge amount of work going on the production front. And I just want to touch on some of that.

As you know, we're going to launch with a significant number of movie titles that -- from our studio that will be well over 300 on launch day and over 400 in year one, including the great slate that the studio has out in the marketplace now. By the way, those titles are significant in terms of their quality.

For instance, there'll be eight Star Wars titles when we launch, 18 Pixars, 70 Disney Animation, 240 Disney live action, four Marvel and then followed by eight more Marvel in year one. So a lot of quality. And then over 7,500 episodes of Disney TV.

We're augmenting all of that with a tremendous amount of original live action product and have actually screened a fair amount including the entire series of Mandalorians for Season 1, a number of the movies that we made including Togo and Lady and the Tramp and Noelle and Stargirl, and I can probably name a few others, and a lot of the other series product that we're making from Marvel, from Pixar, from Disney Channel, High School Musical another one.

And I've been really impressed with the quality, with the variety and with the volume. So a tremendous amount going on, on that front. I'm convinced that we're going to launch with a tremendous array of intellectual property for people who are interested in National Geographic, Marvel, Pixar, Disney and Star Wars.

And then on the studio front, Christine could take some of the particulars as it relates to the television side..

Okay. So 21st Century TV was a contributor in the quarter on an operating income basis. It had a more significant contribution on the cable side than the broadcast side. Although we did mention that there would be some headwinds in the fourth quarter, it will still be a positive contributor. It'll just be lower than it was year-over-year..

Our next question comes from Todd Juenger with Sanford Bernstein..

Picking up a little bit, I guess, on where Michael was. I really appreciate all the different lines of businesses and brands and how you're helping us to understand them.

Can I ask a little bit about where Hulu Live fits into all of this in the states? Generally and just we've seen price increases at other places, how do you feel about profitability there? Just you're -- the fact that you're in the business now of being a MVPD and what that role that plays for Disney. That's question one.

And question number two, not completely unrelated, I'm a little confused at how you're thinking about the live television brands like National Geographic and the Disney kids channels which will also exist on Disney+.

Will all the content that -- especially the new content that's on the TV networks be available to Disney+ subscribers? Is there a windowing philosophy same way going backwards? How do you manage that so that consumers of both products feel like they're getting the full benefit of those brands?.

Good question. No. We're negotiating with a number of MVPDs right now to extend our linear or live, as you called them, television channels. And these remain important deals to us and important businesses to us as well. And obviously, that includes ABC and Disney Channel, and you mentioned Nat Geo and Freeform and FX to name a few.

So it is important for us to continue to fuel those channels with enough quality, enough original programming to support the business as they exist today. We also know that if you look at all the disruption in our business, the business that's probably being impacted the most is that live multichannel television product.

And so the pivot to the direct-to-consumer business is designed to not only address the opportunity that exists in that space, but to address the challenge that exists on the traditional side of the business, which means that we have our own balancing act to do in terms of fueling both sides, the traditional side and the new side or the direct-to-consumer business with enough quality product to succeed in both places.

Obviously, what we also are doing is setting ourselves up in a way that we can be resilient, probably more resilient than any of our competitors should the traditional side erode so significantly that it's not as viable as it has been as a business.

And that would enable us to pivot pretty quickly by moving even more product from the traditional channels over to the nontraditional channels. So it's -- as I said, it's a balancing act. We believe that we're making enough quality product for both sides right now to feel confident about both sides of the business.

The windowing strategy essentially is that we are taking a lot of product that we're making for the traditional channels and ultimately moving it onto the nontraditional. But we're also making, as you know, original product for the new channel, the Disney+ and Hulu, that will not go back onto the other channels. But although in some cases, it might.

Just to give you an idea, we'd be making FX shows for Hulu that might premiere on Hulu but ultimately end up on the linear channels is one example of that. So we're going to look at variety of different opportunities and just make sure that there's enough content flowing in both directions for the businesses to be successful.

On the Hulu Live front, we felt it was important to do what we can to grow digital MVPD businesses. We obviously know that there are others in the space that have been good partners to us. YouTube would be one to mention.

We like the fact that Hulu is out there with a product that is very unique, in that it gives subscribers an opportunity to buy linear television, digital over-the-top linear television, to buy off network programming because we know the deals, the content licensing deals that they have with the networks, and to buy original programming.

And that combination of all three puts Hulu in a very unique place, in that there's really no one out there that's offering the comprehensive television offering the way Hulu is. And we'll continue to stay at it. The other thing to note by the way is Hulu has grown -- is it's also developed into a very, very important advertising business.

And when you think about advertisers who are looking to reach clients on digital platforms, Hulu offers a great opportunity to do that. To what extent those live channels will enable the opportunity on -- to sell advertising along with the advertising that is sold and the programming that's made just for Hulu is another story.

But it's a big part and a growing part of that business..

And one more thing on Hulu Live, the digital platform grew the most of any DMVPD this quarter..

Our next question comes from Marci Ryvicker with Wolfe Research..

Just I have one for Christine. There are so many moving pieces at the moment. Can you just talk about your leverage target? Has this changed at all in terms of the actual target or when you expect to get there? And then maybe comment on your free cash flow priorities and how should we think about the timing on the return to share repurchases..

Sure. Our target has not changed, Marci. We're still targeting a mid-single A target. We have an ongoing dialogue with the rating agencies. They understand our strategy. They understand what it takes to get there. And the overall pivot in our strategy has been multiyear, and I would say it's been capped off with the acquisition of 21st Century assets.

And we will be meeting with them, but our attitude towards share repurchase has always been once we invest in our businesses and we make any acquisitions as we see fit, we look at our dividend capacity. And if all of those still result in excess cash for us, we will return it to shareholders.

I don't think you should anticipate that happening in the near future because we're still in an investment mode as it relates to our direct-to-consumer activities, and that's what we're really focused on right now..

Our next question comes from Doug Mitchelson with Crédit Suisse..

Bob, I guess two questions. First, I think there's a lot of familiarity sort of with everyone listening on the call as to the U.S. prospects of the Disney+ service and what marketing you might do in the competitive environment.

Is international different? I mean you talked about bundling with Hulu in the U.S., but that's not something you can do overseas. So I just love to hear how you're approaching international marketing and sort of the early prospects for the service overseas to the extent it's different in the United States.

And then I have a second question on content distribution strategy..

Well, we will launch in international markets very quickly. I think two actually are going to launch when we launch Disney+ around the same time. And then over the next two to three years, we're going to roll out a number of other markets. So you're right, a number of those markets are different than the United States.

But what they do share, which is very, very important, is an interest in Marvel, Pixar, Disney, National Geographic and Star Wars. So the product that's being made for the platforms travels globally, and that's a big deal. We will have to augment it in certain markets with local programming to meet quotas that are now being applied to OTT services.

And we're also going to enter into discussions on an international basis market-by-market with local distributors as well. We're already in those discussions actually. And so we don't have anything to announce right now in terms of new markets that we're going to launch in.

But it's safe to assume that we're going to launch in multiple international markets within two years, certainly within three years, of launch in the United States, in a couple of other markets..

And I guess on content distribution, you talked about fueling the traditional channels versus fueling your OTT services and obviously a third area is selling programming to third-party SVOD services. And I'm sort of curious overseas, I know Hulu international is off-limit.

To the extent you're trying to drive Fox profitability to the point where it's accretive to fiscal '21, do you need to continue to sell programming into SVOD windows overseas? And the reason I obviously ask is I'm wondering if at some point you'll start warehousing content that would go into a Hulu international service..

I think on the Fox front, meaning or we'll call it non-Disney Pixar-branded type product or Star Wars, we'll continue to license to third parties overseas to reap the benefits of the revenue that we could derive from those sales. Until such time as we believe a launch in that market is imminent, in which case, we'll pivot in a whole product for us.

We're even going to do that to a lesser extent, a far lesser extent, with some of the Disney content as well until we're ready to launch in a market. We may license some of that content to third parties, too, to continue to drive revenue..

Should we assume shorter-term deals than you might have done historically?.

Yes. Yes. Clearly, when we do such deals, we're going to do so to avoid the encumbrances that would make it impossible or difficult for us to put the product on our platform once we launch..

Our next question comes from Kannan Venkateshwar with Barclays..

So Bob, one question for you on the content front, which is when you think about the balance between quality and quantity, how much content from a volume perspective is enough? How much is too much? I mean how are you thinking about the long-term targets in terms of content volumes? And how do you balance that? And Christine, from your perspective on the marketing side, I think you mentioned Q3 is where we might see some of those spend coming in, Q3 and Q4.

Will this all be expensed upfront? Or will this be amortized over time? Would be great if you could help us with that..

As we said, Kannan, on Investor Day and we said a few times, given the fact that the Disney+ product is Disney and Pixar and Marvel and Star Wars, Nat Geographic, I mentioned it 8,000 times, we feel that we can focus more on quality than on quantity.

But we obviously know we need enough quantity under each brand umbrella to drive subscribers who are primarily interested in those brands.

And so obviously if you compare us to Netflix, we're going to have far less products than they do, but we're lying on the strength of our brands and the fervor that fans of those brands have for the product that we make under those brand umbrellas..

And on the marketing side, Kannan, in my comments, I mentioned marketing, but that was related to 21CF's film studio that they had some marketing in the third quarter for movies that would be released in fourth quarter. But I'm assuming your question really is related to marketing that would go along with the launch of Disney+.

And as far as that's concerned, we will be expensing those marketing costs as we incur them..

Our last question is from Jason Bazinet with Citi..

Just a question for Mr. Iger. In the fullness of time as your DTC strategy plays out, do you think Hulu will be a more important app or financial driver than Disney+? And the reason I ask is I understand the elements that Fox brought to the Disney+ app, The Simpsons, Nat Geo and some of those Marvel characters.

But those seem sort of small in the context of the amount of money that you spent to acquire Fox. And so it sort of hints that something bigger is afoot in terms of your overall strategy..

Well, we obviously, in analyzing the assets from 21st Century Fox that we bought, placed a lot of value on the Hulu stake that we were getting. And that obviously was also reflected in the deal that we did with Comcast, where the value of their stake has been public since we announced that deal.

So Hulu will play an important part in our future as a platform for the non-so-called family-like programming that will be on Disney+. And that will be fueled not just by library that we bought from Fox, and that library is both movie and television library, but by a tremendous amount of television production capabilities.

So when you think about what the -- our company today and the creative engines, we obviously have a movie studio that includes now Fox live action and Fox Searchlight, we have -- and along with all the Disney assets.

We have a sprawling television business that includes ABC, Disney Channel, FX, Nat Geo, Freeform, et cetera, and so on, and the television business or unit that we created under Peter Rice has now been structured to produce original product for all of the platforms, both the linear platforms, the traditional MVPD channels, as well as the new platforms, notably Hulu.

So there will be an increase in production activity of the company under that unit producing products specifically for Hulu.

And so as we see it, our play in the digital OTT space ultimately globally, but we're going to start as we've said more domestically, is to have general entertainment, we'll call it Hulu, more family-like entertainment, which is Disney+, and sports.

And that bundle that we're creating, that $12.99 bundle, where you can buy all three offers consumers tremendous volume, tremendous quality and tremendous variety for a good price..

And thank you, Jason, and thanks, everyone, for joining us today. Note that a reconciliation of non-GAAP measures that were referred to on this call to equivalent GAAP measures can be found on our Investor Relations website. In our remarks, we provided estimates of the performance of certain 21CF assets and compared it to the prior year.

These estimates are based on an analysis of 21CF record but are nonetheless unaudited estimates and are not precise measures of historical results before the acquisition. Let me also remind you that certain statements on this call including financial estimates may constitute forward-looking statements under the securities laws.

We make these statements on the basis of our views and assumptions regarding future events and business performance at the time we make them, and we do not undertake any obligation to update these statements.

Forward-looking statements are subject to a number of risks and uncertainties, and actual results may differ materially from the results expressed or implied in light of a variety of factors, including factors contained in our annual report on Form 10-K, quarterly reports on Form 10-Q and in our other filings with the Securities and Exchange Commission.

This concludes today's call. Have a great day, everyone..

Ladies and gentlemen, this concludes today's conference. Thank you for joining, and have a wonderful day..