Thanks, Chad. Good morning, everyone. As I shared in our last quarterly call, the third quarter got off to a strong start in July. In Theaters, a string of blockbusters drove huge audiences to see movies on the big screen. And we had a deeper slate of films for the rest of the summer than we did a year ago. In Hotels, favorable weather and solid leisure demand continued to support strong rates and improving occupancy. I'm happy to share that the positive trends we saw in July continued through the end of the summer, and we had a great third quarter with both of our businesses contributing to our revenue and earnings growth. Our teams executed really well, serving our customers with excellence during our seasonally busiest quarter of the year. The third quarter that we are reporting today once again continues our trend of year-over-year improvement and we're very happy to share these results with you. I'll start with Theaters. This quarter, both higher attendance and strong growth in per caps drove our results. While the second quarter this year included a few films that missed the mark and third quarter included a few films that exceeded expectations in a big way. Strong performances from the cultural phenomenon known as Barbenheimer and Sound of Freedom drove customers out the theaters for these must-see films, while a steady cadence of movie releases continued into late summer and supported the habit of movie going, resulting in attendance growth over 15%. The impressive performance of these films underscored an audience appetite for a variety of narratives and it was a great reminder to all of us in the entertainment industry of the power of theatrical exhibition and building awareness of great movies. We continued our trend of significant increases in per person revenues with our admission revenues per person growing nearly 13% year-over-year and our concessions, food and beverage per caps growing over 6%. As we previously shared, our strategic pricing initiatives including our Value Tuesday promotion changes, continued to favorably impact both admissions per caps and concession, food and beverage per caps. We also have been successful driving admission per caps by leveraging our expansive footprint of premium large format screens. During the third quarter, nine of the top 10 movies were on PLF screens on opening weekend, where eight of these nine films opening on PLF screens during the quarter, 40% or more of our opening weekend box office came from PLF showings, with four films grossing more than 60% of our opening weekend box office on PLFs. In addition, according to Comscore data, on opening weekend, Marcus Theatres led the industry in gross box office PLF percentage on all nine of the films opening on PLFs in the third quarter. Our proprietary UltraScreen and SuperScreen provide us with significant flexibility in scheduling multiple films on our PLF screens, particularly in theater locations where we have multiple PLFs. As we look ahead, the fourth quarter in our Theater division is once again off to a good start with growth over last year, led, of course by Swift Eras, Taylor Swift: The Eras Tour, a constant film that debuted as the second highest October opening weekend of all time for any kind of movie and continues to play well in our circuit with our market share of total box office growing each week. Going to see Eras wasn't just going to see a movie, it was an experience that became a pop culture event. Once again, we are leveraging our PLF screens to present the film the way our customers want to see it most, dancing in the aisles in front of a giant screen with immersive Dolby Atmos sound. In fact, we are leading the industry with over 50% of Eras' gross box office coming from PLF screens for each of the three weekends since opening. While Taylor Swift isn't a class Rome, we do believe that Eras is an example of the breadth of content we can play. Another big music icon will leverage the appeal of theatrical experience to connect with fans through a concert film in early December with Renaissance, a film by Beyonce. As we look ahead to the rest of the year, the holiday film slate includes Trolls, band Together, Wish, Wonka, Aquaman and The Lost Kingdom, and Migration, a strong set of family films that should play well to our Midwest audiences. The film slate is rounded out with a healthy dose of content targeting adult audiences that we're excited about, including The Marvels, Hunger Games, Ballad of Songbirds and Snakes, Napoleon and The Color Purple. Last quarter, I provided some thoughts on the strikes in Hollywood, and our view on this topic remains largely the same. The disruption from the strikes is not helpful. As expected there have been some shifts in the release calendar, and we will not have better visibility to the ultimate impact on the 2024 film slate until the strike is settled and film production resumes. At the end of the day, this remains a short term supply chain disruption. The product isn't going away or skipping theatrical exhibition, it's getting moved around and shifted out. With the writer's strike settled, the beginning of the supply chain is working again restocking the script inventory. We are encouraged by the very active negotiations in the last week between the Screen Actors Guild and the studios, and while we have no insight into the discussions, we are cautiously optimistic for a resolution in the near term. Shifting to our hotel and resorts division, you've seen the segment numbers and Chad shared some additional detail, including the bridge from our reported results to our comparable hotel results following the sale of the Skirvin Hilton Light last year. This quarter is typically our strongest with the summer travel season at its peak, and this year was no different. As you may recall, last year the hotel division posted record results for any third quarter, either pre or post pandemic. This year, our hotels team broke that record again with 19.4 million of adjusted EBITDA. Despite having one less hotel. This level of success speaks to both the high level of execution by our team and the quality of our hotel assets. There are a few hotel division highlights in the third quarter that I'd like to point out. Overall revenue before cost reimbursements at our comparable properties grew over 4.1% compared to the prior year. We outperformed both the national upper upscale RevPAR growth and RevPAR growth of our competitive sets. We continue to see strong average daily rates and improving our occupancy. RevPAR grew at six of our seven of our comparable owned hotels, with average daily rate growth at five of our seven hotels and occupancy growth at four out of seven hotels, resulting in overall RevPAR growth of 5.5%. Occupancy grew on both weekends and weekdays with weekends almost back to pre-pandemic levels. While the trend of leisure demand returning to pre-pandemic levels continues following record demand in fiscal 2022, overall leisure demand remains healthy and our properties continue to capture our share of leisure travel. Group demand in the quarter continued to increase with weekday and weekend growth increasing our Group rooms revenue to approximately 41% of our total rooms revenue in the third quarter of fiscal 2023, compared to approximately 39% in the third quarter last year. This compares to our pre-pandemic Group mix of approximately 44% in the third quarter of 2019. Group booking trends remain positive with our Group room revenue bookings for the remainder of fiscal 2023 or group pace in the year - for the year running approximately 11% of where we were at the same time last year. Group pace for fiscal 2024 is running approximately 14% of where we were at the same time last year for fiscal 2023. In addition, Banquet and Catering pace for the remainder of fiscal 2023 and fiscal 2024 is similarly running ahead of where we were at this time last year. Finally, I would like to recognize our hotels team for several awards that our properties recently received. As many in our hospitality industry know, the Conde Nast Traveler's Readers' Choice Awards are the longest running and most prestigious recognition of excellence in the travel industry. And in October, our properties won several of them. In Milwaukee, The Pfister Hotel was named the number two top hotel in the Midwest, and Saint Kate was named the number four top hotel in the Midwest. The Kimpton Hotel Monaco Pittsburgh was recognized as the number nine top hotel in the Mid-Atlantic and The Garland in North Hollywood, California was rated the number 16 top hotel in Los Angeles. In addition, The Pfister Hotel also recently received the USA Today Reader's Choice Award as the number six best historic hotels in the United States. We are incredibly proud of these awards won by our hotels, our part rooms and amenities, what truly makes a hotel special is the hospitality and experience our guests have while they stay with us. We win these awards because of the incredible effort and care that our associates deliver each day to make our guests stay extraordinary. I'd like to thank and congratulate the hotel team on a job well done. And while I'm tossing out congratulations, I also want to reflect on Chad Paris and his team's great job with our banking facility. That was impressive work in this environment, and it speaks to our company's long standing foundational belief in the managing the strength of our balance sheet. Before we open up the call for questions, I want to once again express my appreciation for our dedicated associates at The Marcus Corporation. Their outstanding work and commitment to serving our customers is responsible for our success. We appreciate all that they do every day. So, on behalf of our Board of Directors and our entire executive team, thank you to all of our associates. And with that, at this time, Chad and I would be happy to open up the call for any questions you may have.